Patricia Spears Jones is the author of three poetry collections Painkiller (2010) and Femme du Monde (2006) from Tia Chucha Press and The Weather That Kills (1994) from Coffee House Press and two chapbooks Mythologizing Always and Repuestas! Her poetry is anthologized in Starting Today: 100 Poems for Obama’s First 100 Days; Black Nature: Four Centuries of African American Nature Poetry; Bowery Women: Poems; broken land: Poems of Brooklyn; Poetry After 911; Blood & Tears: Poems for Matthew Shepard; Home Girls: A Black Feminist Anthology; Sisterfire; and Best American Poetry, 2000. She has written plays with music commissioned and produced by Mabou Mines: ‘Mother’ in 1994 and Song for New York: What Women Do When Men Sit Knitting in 2007. She edited and contributed to Think: Poems for Aretha Franklin’s Inauguration Day Hat and co-edited the groundbreaking anthology, Ordinary Women: Poetry by New York City Women (1978). Her poems, interviews, reviews and commentary can be found in Bomb; Tuesday; An Art Project, www.kwelijournal.com, downtown Brooklyn, Fifth Wednesday, Barrow Street, The Oxford American, The Poetry Project Newsletter, African Voices, PMS#8; Black Renaissance Noire, Court Green, Callaloo, nocturne, Agni, Black Issues Book Review, Essence, The Brooklyn Rail, The Southampton Review; TriQuarterly, Ploughshares and www.tribes.org. Has a MFA in Creative Writing from Vermont College. She has taught at Poets House, St. Mark’s Poetry Project, Cave Canem’s New York City Workshop, Parsons School of Design, Sarah Lawrence College, and summer courses at Naropa University, Pine Manor College, University of Rhode Island, and is scheduled for Manhattanville College, summer 2011. Her website is www.psjones.com.

[...] By Patricia Spears Jones [...]
[...] By Patricia Spears Jones [...]
[...] By Patricia Spears Jones [...]
[...] By Patricia Spears Jones [...]